In his mirror-based works, Protey Temen combines drawing, reflection, and spatial perception into unstable visual systems. Diagrammatic forms, numerical sequences, and seemingly functional signs intersect with reflections of the surrounding space and the viewer themselves.

The works appear both precise and elusive: they evoke scientific models, technical annotations, or speculative schemes, while resisting any fixed interpretation. Meaning remains fragmented and continuously shifts through movement and changing perspectives.

By using mirrored surfaces, Temen creates images that are never static, but constantly altered by their environment. Drawing and reflection merge into perceptual structures suspended between order and disorientation, logic and imagination.